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Saxophonist and composer Tom Braxton understands his purpose on earth is to create music that touches our hearts. That's why Jazz Review calls Braxton, ". . . one of smooth jazz's most prolific saxophonists . . . with all the required tools to become a major force." A seasoned performer, who knows how to charm audiences of all ages, Braxton has his own distinctive and recognizable sound which incorporates elements of Jazz, Latin, Funk and R&B and leaves listeners spellbound, filled with a sense of joy as his music swirls through your soul.

Tom with dad, James ("J.T.")
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But jazz didn't always come easy growing up in the dusty plains of Lubbock, Texas where it all began for Tom Braxton. As unlikely an environment as it was for a boy to dream of being a jazz musician, Tom fortunately had a direct link to this creative art form through his dad, James ("J.T.") Braxton. "I have to credit my dad with connecting me to jazz at an early age. He introduced me to all the jazz legends: Lester Young, Miles, Coltrane, Charlie Parker, Stitt, Getz, Ben Webster, Coleman Hawkins and many more. He would share how he had heard Count Basie and Duke's original bands and the great Ella Fitzgerald. He put the alto sax in my hands in the 6th grade, after I had been playing piano for two years. At the age of 90, my dad still plays his tenor sax and violin everyday, and he's still gigging!" After graduating valedictorian from high school, Tom attended Texas Tech University on track and music scholarships. "I love to run, and the 200, 400 and 1600-meter relay were my best events." This fact explains his driving energy and stamina on stage today.
During his college years, Braxton formed the jazz-fusion band "No Compromise" which toured the southwest and opened concerts for Joe Sample, Stanley Clarke, George Howard and many others. The band performed many of Tom's original compositions, which helped to fine-tune his writing style. Tom decided to launch his solo career after graduating summa cum laude with a Bachelor of Music/Performance degree. His first act of business was to join forces with keyboardist and producer Bernard Wright to release his solo debut album, "Your Move." "The highlight of my first release was having the opportunity to record a duet with long-time friend Kirk Whalum on the song 'Peacemaker.'" Bernard Wright not only produced Braxton's first CD, but also was instrumental in connecting him to a gifted musician/producer who would elevate Tom to the national touring circuit, Wayman Tisdale. "I have to credit Bernard Wright with getting me the gig with Wayman. I flew to Sacramento and played with Wayman where we opened a concert for the Yellowjackets. I'll never forget it . . . it was 1992!!" Tom then toured extensively with Wayman Tisdale for 17 years, serving as Musical Director for 10 of those years. Wayman was quoted saying, "When I'm on the road, Tom is the saxophonist I want to have with me. I love that sweet sound he gets on the horn."
Braxton's solo career continued with his second album, "Katallasso," that mixed memorable, easy funk melodies with some unique production touches. In April 1998, the CD was released internationally on Positive Music Records and featured the talents of Kirk Whalum, Paul Jackson Jr., Bill Maxwell and Bill Cantos. The next two albums took a brief departure from mainstream smooth jazz by connecting with Tom's spiritual side. In 1999, he released an instrumental praise and worship CD entitled "Face to Face" followed two years later with the release of a Christmas album, "Comfort and Joy," that presented Braxton's fresh arrangements of traditional and contemporary holiday favorites. His friend and mentor, Wayman Tisdale, produced his fifth release, "Bounce," for Dave Koz's label, Rendezvous Entertainment. "I remember Wayman approached me with the idea of doing a recording together," said Braxton. "I was very excited about the project and the creative juices began to flow. We had a lot of fun in the studio playing with grooves and melodies and as a result the CD, 'Bounce,' was born."
In 2007, Tom added a new CD to his discography, "Imagine This," on the Pacific Coast Jazz label. "The album kicks off with one of my favorite songs, 'Peg,' by Steely Dan which is a band I've always admired. I wanted to cover that song for years and when I finally got the opportunity, I was thrilled to include the unique vocal work of Kevin Whalum." SmoothJazz.com wrote, "(Tom Braxton) . . . absolutely blows me away with his album 'Imagine This.' I'm imagining that this will be the big breakout release for a career that is really kicking into high gear."
Through the years, Tom has shared the stage with many well-known artists including Dave Koz, Rick Braun, Peter White, Earl Klugh, George Duke, Kirk Whalum, Jonathan Butler, Jeff Golub, Marcus Miller, Keiko Matsui, Aretha Franklin, Luther Vandross and Phillip Bailey. Tom has opened concerts for numerous jazz greats including Norman Brown, Boney James, Najee, Dave Brubeck, Cab Calloway, Spyro Gyra, The Rippingtons, David Benoit, Pieces of a Dream, Michael Franks and The Crusaders. Over the years, Braxton has been featured or appeared in media and publications such as JAZZIZ, Smooth Jazz News, CBS's The Saturday Early Show, BET's Jazz Central, TBS, TNT, ESPN, CNN, NBC's Inside Stuff, Positively Texas, ABC's Good Morning Texas, the Fox Network's Good Day Dallas and Daystar Television Network.
In 2009, on the heels of finishing his next Pacific Coast Jazz label CD release, shocking news hit Braxton when Wayman Tisdale lost his battle with cancer. "Wayman was a gifted musician and a great friend that I will always miss. I stood on his right side for 17 years and it was my goal to make him sound great every night. Through the years, I became good at blending my sound with his, a valued skill I learned while in his band. Wayman's passing is a reminder of our mortality and it has made me even more determined to live my life to fulfill the purpose God has for me."
Tom's latest project, "Endless Highway," highlights Braxton as a composer, producer and arranger along with six of his original compositions that feature his effortless transition from soprano, alto and tenor saxophones to showcasing his versatility on piano, keyboards and flute. Bursting with exhilarating grooves and sizzling hot horn arrangements, "Endless Highway" manages to lift Braxton to a new level of artistry and is a testament to the many challenges Tom has faced along his highway of life. He hopes it will help others as they continue down their own road. "We are all on this road of life, moving at our own pace, experiencing the smooth places where you can relax and the rough roads that can challenge and discourage you. But we must never forget how important it is to enjoy the ride!" And Braxton definitely takes us on a memorable ride on this sensational soundtrack. Joined by an outstanding array of instrumentalists and vocalists, this recording is a toe-tapping, colorful, groove-oriented excursion with a sophisticated urban flavor that will make you feel like dancing and singing all day long. From the first and title track, "Endless Highway," which signifies the beginning of this rhythmic ride, to the final track, "Home Sweet Home," that transports us to the end of the CD that chronicles the many experiences we face in life, Braxton creatively completes the full circle of a smooth jazz journey.
Without a doubt, "Endless Highway" will drive Tom Braxton to the top of the charts while we take a trip with his inspiring tunes at home or on the road. So get ready to pack your bags, roll down the windows and crank up the volume in the "Braxton tradition." "Creating music that brings people joy is my mission in life," says Tom. Looks like he has accomplished his mission on "Endless Highway."
About "Endless Highway" (in his own words)
1) Endless Highway ~ The title track was the first song and theme written specifically for this project. The horn arrangement and groove signify moving down life's busy road with optimistic anticipation on life's musical journey.
2) Just in Time ~ Chicago producer and songwriter Tim Gant brought an urban sophisticated sound to this track.
3) Soul Purpose ~ I wrote this song to provide a lyrical melody that I could envision being sung long after the song fades.
4) That Wayman Smile! ~ Jay Rowe and I put our heads together to pay tribute to my great friend, bass player and basketball player, Wayman Tisdale. Bassist Braylon Lacy succeeded in keeping the spirit of the "big guy" who will be missed by all.
5) Detour Ahead ~ Tim Gant and I collaborated on this tune that starts grooving at the downbeat and reminds us that we must be prepared in life to take another road to reach our destination.
6) The Journey ~ The journey is the most important part of the ride, and producer Eric Willis captures the essence of enjoying each moment in this flowing arrangement that highlights the soprano saxophone.
7) Ventura Highway ~ I grew up listening to this song by America. Grammy winner Arthur Dyer contributed a fantastic lead vocal to my arrangement of this classic.
8) Open Road ~ When I wrote this, I imagined a long stretch of interstate with cruise control and the windows down. Settle in for a long drive and keep your hands on the wheel!
9) Distant Skies ~ I was inspired by one of those picturesque sunsets as I was driving home one day. This is my sonic description of the hues of yellow, orange and magenta through the voices of the piano, flute, soprano sax and cello.
10) Home Sweet Home ~ As the journey started on the "Endless Highway," this is where it ends, back at home. I wanted the final climax of the journey to end with a captivating alto sax solo featuring a beautiful melody written by Eric Willis.
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